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2006 | 1995-2003 | 2002 | 1990,HOME LESS HOME | 1980'S | LATE 1970'S | EARLY 1970'S
1995-2003
Videos Bill
Brand|
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MY FATHER'S LEG 1996-97, color, silent, 3 min. In
this self-portrait I imagine the disease and pain which caused my father's
death twenty-five years earlier. Now that I am older than he at his death,
I find, in images of my own body complex feelings of love, guilt, grief
and regret.
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INTERIOR OUTPOST 2003, color, sound, 9 min. Here, my body is explicitly a screen on which I project photographs from the family archive to articulate my position of difference within the family experience of illness and death. |
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DOUBLE NEPHRECTOMY 1998, color, sound, 4 min.
This double portrait cinematically projects my sister's
wound onto my own body and psyche. Shortly after she received a living
donor kidney from a friend, I filmed the scar that resulted from removing
both her damaged organs. This video projects that image of her two-week-old
scar onto my own body, visualizing my complex feelings of knowing I have
been spared the gene that caused her disease. In the video, I find, on
my own body, the imagined scars we share. |
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MOXIBUSTION 1999,
color, sound, 8 1/2 min.
Also a double portrait, this video is an inside-out variation on DOUBLE NEPHRECTOMY. Here, the video uses projected light to penetrate my own body picturing my sister in her trade as an acupuncturist. While she treats me through burning herbs (moxibution) and acupuncture needling, the video imagines the body as landscape. The contradiction between her commitment to an ancient healing practice and her dependence for survival on high technology surgical and chemical medicine is an implicit subtext of the video. |
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GAZELLE 1998, color, sound, 3 1/2 min This is a portrait of my wife, the artist Katy Martin in her studio painting directly on her own body while imagining a wild animal. While not centered on the theme of family disease like the other three videos, this piece does also explore the body as a site of beauty and abjection. |
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The
video was shot July, 1999 inside and outside 20 North Moore Street where
John Kennedy and Carolyn Bessette Kennedy lived. Ruth Hardinger, a
sculptor,
is a 1st floor resident in this building and was unwittingly trapped
by the media frenzy and the public attention that unfolded on the sidewalk
in front of the building after the Kennedy plane crashed off Martha's
Vineyard. Made in collaboration with Bill Brand, a nearby neighbor
and
experimental filmmaker, "I'm a Pilot Like You" looks through the back
side of the media mirror to reflect on the clouded boundary between public
and private in the weeks immediately following the fatal Kennedy accident.
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2006 | 1995-2003 | 2002 | 1990,HOME LESS HOME | 1980'S | LATE 1970'S | EARLY 1970'S
HOME | FILMS & VIDEOS | MASSTRANSISCOPE | BB OPTICS | HAMPSHIRE COLLEGE | LINKS | CONTACT